Category Archives: Jewish writing

Grandfather

by Milton P. Ehrlich (Leonia, NJ)

Grandfather did magic
with a tremulous sleight-of-hand.
Cards and coins vanished
before my surprised eyes.

He could do soft-shoe and tap dance
with a cane like a vaudevillian pro.
He loved to tell corny jokes that
he heard on Eddie Cantor’s radio show
and that never failed to amuse him.

We went to the Stanton Street Shul
on Saturday mornings. I tossed
small paper bags filled with peanuts
and raisins at bar mitzvah boys.

The scent of leather phylactery
straps permeated the premises
from the men who wrapped tefillin
on weekdays on arms, hands, and fingers,
as well as on the top of the head.

Afterwards, he shared snuff
with friends, who sipped wine
and relished schmaltz herring
on challah woven together
with strands representing
the unity of Israel’s tribes.

Sabbath lunch: borscht and pitcha,
followed by a chulent, baked overnight
on a coal kitchen stove.

Grandfather had only one request.
He wanted a photo of himself
dressed exactly like his father
in a photo taken years earlier.

When I was old enough to use
a Brownie Kodak box camera,
he got the picture he wanted,
just before he died.

Little did he know his great-grandson
would become a columnist for The Forward,
the only newspaper he ever read
while drinking Swee-touch-nee tea
in a glass with a cube of sugar.

He was just a man, loved, and not forgotten.
What will my grandchildren remember of me?

Milton P. Ehrlich, Ph.D., an 85-year-old psychologist, has published numerous poems in periodicals such as Descant, Wisconsin Review, Rutherford Red Wheelbarrow, Toronto Quarterly Review, Christian Science Monitor, Huffington Post, and The New York Times.

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“You Jewish?”

by Mel Glenn (Brooklyn, NY)

“You Jewish?”

At a crowded train hub

a man dressed in a long black robe

pointed at me and repeated, “You Jewish?”

“You, Jew, step out of the line.”

I waved him away.

“Men here, women over there.”

How dare he, out of all the people

rushing for their trains, single me out?

“Achtung, mach schnell.”

Do I have a long nose?

Do I have money pouring out of my pockets?

Do I shuffle along like a prisoner?

Please, God, don’t single me out.

The mournful music of the camps

resonates in my soul.

But then, later, after some thought,

I wondered if I had misread the Chasid.

Maybe he was just offering me

a sweet greeting for the holiday season.

I don’t want to be chosen.

Maybe he was simply saying

we are landsmen, no?

I dismissed him out of hand.

My parents are European.

I could have had numbers on my arm.

Have I been so scarred I may have missed

an opportunity for connection and grace?

You, Jewish? Yes, I am.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

 

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Questions for My Mother

by Janet R. Kirchheimer (New York, NY)

What if
that afternoon instead of making love
in the sewing room you’d
cooked in the kitchen
perfecting what would become
your family’s famous zucchini bread recipe or
what if
you and Daddy had just talked?

What if
you decided that afternoon
to read a book instead,
and what was it
made you decide to make love
the second day of Rosh HaShanah
and that makes us toast my conception each year

with champagne? Would I
have turned out differently or would I
have received someone else’s fate if I
had been conceived at another moment?

Would the angel in charge of conception still have
placed the same drop of semen before the Holy One
and asked, Master of the universe what
is to happen to this drop?

Janet R. Kirchheimer is the author of How to Spot One of Us, poems about her family and the Holocaust.  Her recent work has appeared in The Poet’s Quest for God and is forthcoming in Forgotten Women.  Janet is currently producing AFTER, a cinematic film about Holocaust poetry.  https://www.facebook.com/AfterAPoetryFilm/

This poem is reprinted from Kalliope, where it first appeared, with the kind permission of the author.

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A Proper Home

by Sheldon P. Hersh (Lawrence, NY)

While growing up in a Yiddish speaking home, I was often witness to the respect and adoration given to the Yiddish books that once graced our small bookcase. It goes without saying that prayer books, bibles and other holy texts were held in high esteem, but books written in Yiddish, the mameloshen (mother tongue), came in a close second. Like many Eastern European Jews, my parents had a particularly strong attachment to books written in Yiddish. Whatever the theme or intended message, these books were often afforded special status not only because they were written in Yiddish but because Yiddish utilizes Hebrew script, the very same letters found in all of our sacred texts.

More often than not, many of these Yiddish books were passed on to my parents by either aged or sickly friends and neighbors who simply wanted their treasured books to take up residence in a proper home. Yiddish books, after all, were like beloved relatives who detailed our long and often difficult history. I remember how we always removed and replaced these books with the utmost care so as not to injure their often spindly, dilapidated spines and worn bodies. In our home, we read these books primarily on the Sabbath and Jewish holidays when there was ample opportunity to lay on the couch, close one’s eyes and perhaps take a solemn journey back in time.

History has a way of repeating itself and perhaps is meant to do so. A short while back, I was approached by a few acquaintances and patients asking if I would be willing to take possession of their Yiddish books. Some followed my advice and sent their books to the Yiddish Book Center in Amherst, Massachusetts while others would not hear of it. This latter group wanted their books to reside in a warm loving home rather than in an “orphanage for Yiddish books”.

I remember an elderly gentleman who, only recently, was seated in my examination room. He began speaking as soon as I entered. “I have to talk to you about my Yiddish books,” he began. “I know you speak and read Yiddish. So, doesn’t it make sense for them to be with you? They mean so much to me. I can’t just throw them out. Please, come to my home. The books will be waiting for you.”

His pleas were repeated with ever increasing urgency. How could I possibly refuse this clearly distraught gentleman? He was concerned about the fate of his beloved Yiddish books now that he had sold his house and was about to move to a small apartment where there was simply no room for his books. Aware of how much this request meant to him, I agreed to come by that very night and take possession of the box of Yiddish books that, I was told, was silently awaiting my arrival. As I left his home carrying the box, I heard a long tremulous sigh follow me to the door. It was an unmistakable declaration of sadness at seeing his beloved friends leave, accompanied by a sense of relief that they would at least have a proper home.

Since then, in addition to a few books that once belonged to my parents, I have accumulated a fair number of Yiddish books as I found it difficult to refuse those pleading on behalf of their loved ones. And so, just about every Sabbath and Jewish holiday, I’ve gotten into the habit of carefully taking one of these aged volumes in hand to reacquaint myself with many of the words and phrases that no longer see the light of day.

Much like aged relatives, these books speak volumes of survival and adaptation and give voice, as well, to immense pride and joy. Each time I’m done and get ready to close one of these books, I start to wonder who will be next in line? Who will be willing to accept books that are written in a strange language dealing with topics that have little or no relevance to most people? I’ll ask around when the time comes, but, apart from the praiseworthy mission of the Yiddish Book Center, I fear there will be no takers.

Sheldon P. Hersh, an Ear, Nose and Throat Physician with a practice in the New York metropolitan area, is the author of Our Frozen Tears (http://tinyurl.com/kuzlscb), as well as the co-author of The Bugs Are Burning, a book on the Holocaust.

 

 

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Forefathers

by Janet R. Kirchheimer (New York, NY)

I tell my father that I’m working on a new poem.
I got into the poem, but can’t seem to find a way out.
“Kind of like a fart in your pants,” he says.
And I realize that my poetic forefathers were probably not
William Shakespeare and Robert Frost, but more likely
Milton Berle and Henny Youngman.

I ask him if there were any poets in our family, and he tells me
Tante Channele was a poet but nobody liked her, which doesn’t
make me feel any better.

A hairy woodpecker, with the red mark of a male on its neck,
comes to our birdfeeder today.
“Look at how bright, how clean his colors are,” my father says.
“He looks like he’s just been painted.”
And I know exactly who my poetic forefather is.

Janet R. Kirchheimer is the author of How to Spot One of Us, poems about her family and the Holocaust.  Her recent work has appeared in The Poet’s Quest for God and is forthcoming in Forgotten Women.  Janet is currently producing AFTER, a cinematic film about Holocaust poetry.  https://www.facebook.com/AfterAPoetryFilm/

This poem is reprinted from Mima’amakim with the kind permission of the author.

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The Nature of Things

by Janet R. Kirchheimer (New York, NY)

I was eleven the spring my father singed his eyebrows off
while burning down pear trees.

Anne Carson says dirt is a minor thing.
This is not true.
Perhaps she has not seen a string bean pushing
its way up through the dirt.

The Rabbis say that Adam gave names to all the animals,
but do not say who named the trees.

These are some of the plant names I love:
Joseph’s coat, Persian shield, Silver shrub, African mallow.

Once in January, my father woke me at four o’clock in the morning
to help cover the parsley in our garden with blankets.
Frost was on the ground.
Stars, so bright at that time of the year, lit the garden.

In June, I call home to ask my father about the gladiolas.
He says some are coming, some are going.

The Talmud says occasionally rain falls because of the merit
of one man, the merit of one blade of grass, of one field.

Janet R. Kirchheimer is the author of How to Spot One of Us, poems about her family and the Holocaust.  Her recent work has appeared in The Poet’s Quest for God and is forthcoming in Forgotten Women.  Janet is currently producing AFTER, a cinematic film about Holocaust poetry.  https://www.facebook.com/AfterAPoetryFilm/

This poem is reprinted from Mima’amakim with the kind permission of the author.

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Pidyon Haben

by Gerard Sarnat (Portola Valley CA)

“Every first-born male among your children, you must redeem.”

— Exodus 13:13

Redemption’s a primitive mitzvah commanded in

the Old Testament to occur on my grandkid’s 30th day

when a Kohen from the priestly patrilineal tree of

Aaron is handed 5 silver shekels by the boy’s father.

While our alternating amused and distraught daughter

nurses off in a dark corner, ultra-orthodox little girls

clothed from head to toe wrap garlic + sugar cubes

in gold lamé lace bags that their subjugated mother

hangs for kenahorah-poo-poo-poo knock on wood

good luck to shoo away devils — after which she checks

that the fancy sheitel covers her wifely shaved skull.

Compared to the newborn’s bris with the mohel

hacking off the infant’s foreskin, this ain’t nothin’.

But having successfully bit my tongue, all said & done

till the next one, these rituals reinforce why I’m an atheist.

Gerard Sarnat has spent time as a physician and social justice protestor in jails,  built and staffed clinics for the marginalized, and spent decades working for Middle East peace. His work, which has appeared in over seventy magazines, including Gargoyle, Lowestoft Chronicle, and The American Journal of Poetry, has recently been nominated for a Pushcart Prize.

For more information about Gerard Sarnat, visit his website: GerardSarnat.com.

 

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